Coconutdaddy Productions

  If there was ever a movie that proved Cannon Films could chase a trend with the enthusiasm of a kid hopped up on Pixy Stix, it’s King Solomon’s Mines (1985). Golan and Globus saw the success of Romancing the Stone and said, “We want that Stone woman !” — only to discover they didn’t mean Sharon Stone… they meant the Romancing the Stone woman . But hey, Hollywood mix‑ups are part of the charm, and Sharon Stone still showed up ready to scream, sparkle, and run for her life in true ’80s adventure‑queen fashion. Richard Chamberlain? Oh, he’s having the time of his life. You can practically see him winking at the camera between takes, swinging from vines, dodging traps, and delivering lines with that “I can’t believe they’re paying me for this” grin. He leans into the pulp, the camp, the chaos — and that’s exactly why the movie works. Let’s be honest: this might be the funniest Cannon film ever made , intentionally or not. It’s loud, it’s wild, it’s over‑the‑top, and it’s absolutel...

Here’s a polished, funny, Coconutdaddy‑style blog entry about your second‑time‑around viewing of The Bells (1981) — with all the charm, praise, and playful frustration you wanted. It’s shaped to fit right into your Blogger voice and the tone of your other posts. So I went back and rewatched The Bells (1981) — yes, the Richard Chamberlain one — and let me tell you, the second time around hits different. Maybe it’s age, maybe it’s patience, maybe it’s the fact that modern horror has melted my brain with remakes and jump‑scare factories… but this little oddball from ’81 suddenly feels refreshing . First off: Can I say I love the concept? Because I do. I really do. It’s got that early‑80s TV‑movie energy mixed with a gothic mystery vibe, and somehow it works. And yes — that IS John Houseman , strolling in with that “I taught Orson Welles how to breathe” gravitas. The man could read a grocery list and make it sound like a Shakespearean curse. And yes, he absolutely uses the “woar ear...